Friday, April 17, 2015

Dre Skuffs- Chill Pill 2

    

     Dre Skuffs has been grinding...Figuratively and Literally...GRIN-DINGGG (Pharrell Voice). From the early inception of the album cover and the brilliant marketing strategy that showcased Chill Pill Bottles with USB  Flash Drives enclosed showed the kind of Old School Meets New School drive that would push anybody that was on the fence about the sound and feel of this album to get off said fence and just press play.

"Chill-Tro" opens up the project with a dream-like voice that's works like the Surgeon General's warning...but not to fret it will be a pleasurable experience..As the pill begins to take effect Dre enters with a onslaught of flows that draws you into every bar and sets the tone for you're about hear on the next track

"Sour" may have a misleading title and one may think that the 2nd track may be an ode to many a smoker strand of choice...but after the initial mention of the literal...its really a song about the act of
"Feeling Sour" as in the mood when people try to get over on you on purpose and you're basically tired of shoveling shit. The production on this track really compliments Dre as he slinks and slides through the guitar licks and horn sections.

"Its All Good" Is the opposite of the sour feeling...The sentiment states that even though life is salty and will bring you down at times...Its still all good..Each verse speaks on the trials of just living life from a youngster to a grown man but in the end...its what you go through that shapes you as an adult...Its All Good...enjoy the sunshine.

"In My Sleep" If you took the pill correctly you should be in that lucid part of your dreams and your sub-conscious starts to get a little trippy. Each verse speaks on the under belly of dark thoughts. Its these unhinged feelings that most of us try to leave in the back of our mind...but try as we might...they still lurk and only brave enough souls need to trek down that path to try and gain clarity for whatever your troubles may be.

"Dim Lights" After the that brief intermission things pick up some. Its more of a boisterous track that has Dre rapping at his most confident...Like a rebirth of the slick or cool..Which works well because it seems like its a segue  to the next track.

"Back 2 Real" is so swanky and gritty at the same time. The airy horn section is on point once again and the strings add the perfect accent to all the artist featured on this track (Rudder and Big Rod)...This song gives me that Camp Lo "Luchini" feel meaning that it feels nostalgic but current and its just works to put it plainly. "Now Give Me Something To Roll"

"Wait Now" Is a subtle banger...This song really allows Dre to shine as he assaults the track with confident flows while the hook is the driving force behind this song...as the beat picks up when the hook comes in... The contrast of how the song starts to when it ends adds an element of beauty. True album cut right here.

"Just Ride" Is self explanatory...If Back 2 Real was Camp-Lo then this song is undoubtedly something from the early 2000's Neo-Soul movement..And Dre understands this...so he gets in and lays down a smooth verse and gets out..and lets the song sail out..by this time you should be floating as well...I love the smokey..dimly lit jam session vibe that I get from this song..Real rider music.

"Natural Juice" has a slower groove but it is as equally strong as Just Ride..N-Omega jumps from behind the boards and into the booth and enhances the track...The natural chemistry between the two is evident here and the by the time Dre comes through on the 2nd verse...its clear that these two need to do more songs together...its really works.

"Get Get Paid-Victory Is Mine" Is a two-parter that shows both sides of the coin. Get Paid is more or less an anthem of inspiration that's imploring all of us to get up get out an get at all cost. Victory is Mine is the declaration of triumph because we don't have time to waste so hustle hard ya'll til we stars ya'll.

"Hustlin and Pimpin" Speaks on the dichotomy of life in the urban settings. The first verse is fun and games but right behind that is the underlying truth that this lifestyle is a dead-end..As you listen you can hear Dre's voice cracking and that whats makes the songs more human and Its that vulnerability and honesty that gives the listener reason to play the song over and over...One of my favorite songs here.

"Jazz Pimp"  It is extremely is hard to spit poetry let alone rap on Jazz instrumentals...So to hear Dre tackle this is nothing short of amazing...he made it sound so easy it was definitely an exercise in "Chasing The Hi-Hat All Over The Track" If this song doesn't get you moving or at least foot-tapping...you're a zombie...simple and plain.

"Black Harmony" My personal favorite...N-Omega and Hellfire provide a grim landscape for Dre and Special Guests..Wooten and Black Collar Biz to give the listener stark tales of life with a tinge of righteousness in between...all three give stellar performances I wish it was longer.

"Justice Served"- With the current events of police brutality and senseless acts of barbary on their behalf it was fitting that a song with the concept of cop getting his come-uppence at the hands of a community that is tired of being abused. Dre and Chadd Downing trade verses on how the plan is executed.. No Pun Intended.

"Old School Back" Has Wooten hop back in the fray..and the pair proceed to GO OFF!...After the timely scratches and a slight screwed voice...Dre jumps back in and puts the nail in the coffin with a standout closing verse.

"Not Her"- The mature side of Dre Skuffs...after all the gruff and grim tales from the previous songs...its was a needed change of pace as he paints a picture of a man that has learned from his mistakes and has decided to settle down with the woman he loves and be honest with and true to her.

"Vent" My other personal favorite..Each verse tackles the themes of death and jail. An honest account of  losing his man to the penal system and how close they were and still remain to this day. The next his about his father who only wanted the best for his son and even thought the younger days brought heartache and pain..Dre assures his father that all the lessons that were bestowed upon him did not go in vein as he speaks to him at his headstone.

"24/7" Is ANOTHER favorite...I don't know if I'm just a sucker for live instrumentation but this song is crazy.. N-Omega trades some bars with Dre and then throws the alley-oop. Dre then proceeds to rolls up his sleeves goes hard with he bars here..Dre's flow is relentless on this song and it seems here that he is most comfortable with this setting..it really shows...The song then morphs into a flat out jam session...I love it.

"Live Free" Is The album's closing track..after that sonic high from the previous song...This is the mellow additive that brings your heart rate down after a intense cardio regimen..It really rounds up the albums nicely and brings it to a satisfying close.



In ending...Chill Pill 2 is a record for the listener...Its not single driven and is a COMPLETE body of  work. From start to finish the album never loses steam and has a real cohesive vibe throughout the entire project. Every feature was well placed and played an integral part in making the vision that is Chill Pill 2 come to life...The Production was phenomenal and once again held every track together in a cohesive way. Listening to this album I could tell it was a labor of love and a tremendous amount of hard work and care into its making...If you're looking for an album of substance and content...lyrics..and all around good vibes...Look no further...just press play and Chill.....


Wednesday, December 31, 2014

#RapNerdLeebs Top 25 Albums of 2014 12-1

OK folks you've waited all year for this....Here are the Top 12 Albums of 2014!






12. Cyhi The Prynce-Black Hystori Project- Cydell Young is one of the most talented underated lyricist in rap today period...You've heard him on many of Kanye's (NOT Yeezus) classics (Had the best verse on So Appalled). It was about damn time that he released a project that was worthy of the lofty praise...Released earlier in the year...it managed to much play throughout the year and it still bumps..its gonna be tough to top this one Cyhi.







11.  Vince Staples- Shyne Coldchain II & Hell Can Wait- VINCE STAPLES IS NEXT UP!...Thats It....No seriously....This kid is dope...vivid storytelling...accurate portrayals of his life and the life of his homies and just raw beats. These two project are vital...if  this is your first time hearing of Vince...go listen and thank me later.





10. The Roots-....and then you shoot your cousin..- Since The Roots have been Jimmy Fallon's house band...they have been still...THATS A GREAT THING...since becoming the house band they have been in one area and able to just sit back and create timeless music...this album is no exception..Its arguably their best work since "Game Theory" which is my personal favorite..."Undun" is a distant second...but this album made me a Roots fan again...straight up.




9. Scotty ATL- Spaghetti Junction- I discovered Scotty ATL around 6 or 7 months ago and I eagerly awaiting this release..while the prelude to this album was underwhelming (OTR2SJ) to say the least...By the time I heard this..it was clear that the prelude nothing but a mere appeitizer to the main course...This album BANGS...its really authentic to the region and it has a familiar sound that makes you miss the Dungeon family...and anytime you hear a DJ Toomp beat...you know you're in for a Southern Treat..






8.   Logic- Under Pressure- While you were sleeping Logic has been silently crafting an instant classic...I mean it was the perfect album...Intro...Standard Length LP...Outro....NO FEATURES...bonus tracks...Dope right?....So why isn't this the Album Of The Year Then Leeb? Long story short...I had a hard time hearing LOGIC on a lot of his songs...Its one thing to have influences that create your style and sound but its an different animal when you SOUND like your influences...some songs sound like Kendrick material while others sound like Outkast and early Drake material...don't get me wrong I love those acts but if I'm listening to LOGIC I want to hear LOGIC material...no hard feelings...its still a stellar debut album.


 

7.  Pharoahe Monch- PTSD(Post Traumatic Stress Disorder)- It still amazes me that a MC that is arguably one of the best top 5 Lyricist EVER (Seriously) has only 4 albums to his credit...but with that being said this is definitely his most focused and dense concept album yet. Song by song he proceeds to break down the thought process of a soldier who has just come home from war and is dealing with PTSD...or maybe he is in some futuristic sleep chamber where they analyze his dreams and he's dreaming about being a soldier coming home from war and dealing with PTSD...wait what...the rap version of Assassins Creed?...A Sci-Fi Hip-Hop Album?.....BRILLIANT.







6.  Stalley-OHIO- This album surprised me immensely. Usually when I see anything attached to MaMaMaMaybach Music I normally give it the side eye and place it back in the cd rack and go about my day...And based on his first release (Intelligent Trunk Musik) I didn't want to hear an entire album of Stalley talking about Cars and Pain (the equivalent to Nas' Pissy Stair Case Bars)  but when I pressed play...I realized he wasn't going that route and decided to craft an album around the sound and soul of his home state...to the untrained ear it may sound like he's jacking west coast beats when he is clearly from the midwest...but anyone worth their salt in music will tell you that SOUND that is so closely identified with West Coast "G-Funk"  ORIGINATED in the Midwest...OHIO to be exact...I wont go any further but just keep that in mind when you listen to this album.












5. Black Milk- If There's A Hell Below- Black Milk has been a favorite of mine for years...I sat back and watched his sound evolve and I must say when if he ever went mainstream...they wouldn't know how to act. This album is clearly a sequel to 2013's "No Poison No Paradise" and while not at good as the first...its still a very strong entry into the Black Milk catalog..and will get much play for years to come just like the rest of his albums.








4.  J. Cole- 2014 Forest Hills Drive- J.Cole man...how many superlatives can I lay down about this piece are art...I wont kill ya'll with them but this is amazing..."Born Sinner" was an obvious attempt at Grammy snatching but when it was royally snubbed...Cole realized it was back to the drawing board and he treated this album like a mixtape...and it we all see the glorious results.






3.  Apollo Brown & Ras Kass-Blasphemy- What happens when you da hyper talented producer  and criminally underrated lyricist and put them together on a "He's The DJ...Im The Rapper" project...Blasphemy...This album is incredible..it stuck to my tried and true formula...Dope Beats and Dope Rhymes while simultaneously dropping knowledge...Isn't that what True Hip-Hop is all about?




2.  Freddie Gibbs & Madlib-Pinata- I was so excited when I found out this project was being announced because I figured any rapper (THATS NOT DOOM OR DILLA) that could handle Madlb's production would be legendary...Welp that's exactly what happend on Pinata...Madlib through Gangsta Gibbs a plethora of beats and he killed all of them over this lengthy project...I seriously doubt this project would have seen the light of day had Gibbs stayed with CTE...but know Gibbs..it probably would have...Don't sleep on this masterpiece.
































1. PRhyme (DJ Premier & Royce 5'9)- PRHYME- Where do I begin....Never in a million years did I think Royce and Preemo would team up for an ENTIRE project...Admittedly...Preem has always been my 2nd or 3rd Favorite producer of all time...depending on the day...and Ive been rocking with Royce since The Slim Shady LP...I even referred to him as the "Black Eminem" (Don't believe me?..Ask AJ)...So you can imagine my glee the first time heard "Let's Grow" (Produced by J.Dilla) I knew at 15 this dude was one of the best...Then I heard "Boom" and that sealed the deal...I thought to myself I said "Self....if these two ever do an album together it would be a classic"...that was 2001....Even when "Hell The Sequel" came out I could even argue that Royce out rapped Em on MANY of their songs. Fast forward to 2014 and my dream became a reality...From start to finish Royce proceeds to go absolute ape shit on every song....EVERY SONG....I for one have never heard Royce sound so focused before in all my years of listening to him. Maybe with the exception of "Hood Hop" but other than that ...He was on an complete tear...Each feature tried to outshine him but that was a mere exercise in futility. DJ Premier's sound went through an extreme overhaul due in large part to Adrian Younge....all of the live instrumentation you hear on this project is by him and is masterfully sampled and scratched by DJ Premier...My only gripe is that its only 9 songs...like damn I couldn't get 12 songs ya'll...for real?!....lol but that's just me being greedy...In ending, this album could have came out in January 1st 2014 and it would have still been My album of year...Complete perfection...PRHYME...ALBUM OF THE YEAR 2014!...See you guys next year!!!! 2015 is gonna be epic...mark my words....Happy New Year....Peace.

Tuesday, December 30, 2014

LHRM's Top 25 Albums of 2014 no. 25-13



....And Here It Is Folks....The TOP 25 Hip-Hop Albums of 2014!!!! 25 thru 13!







25. Stat Quo- All This Life Allows Vol. 1.-  Stat Quo has been around for years...one of the earlier artist on the Shady/Aftermath roster...Its good to see him still putting out quality music...Must listen





24. Rick Ross-Mastermind- "What Is This?" " Maybach Music"...."I Like This Maybach Music"...."Sweet"....Honestly this is Rozay's most complete album to date...I don't know why he bothers to sully this release with "Hood Billionaire"...The world may never know.



 23.  Schoolboy Q- Oxymoron- Finally got the anticipated debut major label release from Schoolboy Q...it was worth it too...he hit the ground running with "Collard Greens" and only gained more momentum from there...by the end of the year...EVERYONE was sitting in that "Studio" trying to get to their baby.




 22. Smoke DZA- Dream.Zone.Achieve- The Soul Of Harlem and The Ghost Of Dipset flows all throughout this album...Thought its a bit lengthy...It has a enough joints to get you through that Kush session...Riiiiiiight.



21. Curren$y- Saturday Night Car Tunes/ More Saturday Night Car Tunes- Spitta Andretti holds true to form by releasing more mixtape EPs...I personally would have preferred if he would have put out one mixtape or LP with all 14+ plus song like 2013's "New Jet City"...but this project will have to suffice I guess lol.




20. OG Maco + Key!- Give Em Hell- During my travels to the underground this summer...I stumbled upon this gem by two of  rap's "On The Verge" artists....Regions be damned...The internet is the great equalizer and your ears will thank you for me..Trust me.




19. RaRa-High End Low Life- This project was so soulful...its truly a shame that more people don't know about this...it really is worth the listen...its so good...Long Live RaRa..




 
18.   Lil Herb- Welcome To Fazoland- Out of all of the new artist coming out of that "Chiraq" movement....G-Herbo is head and shoulders above the rest..Seriously...with the exception of Chance and Spenzo being a distant 2nd...Lil Herb is poised to make much noise in this game...The scariest part about him is he is only 18 or 19 and he already has "IT"...Its a reason why Common has him on the opening track on his latest LP.  AND he just dropped "Pistol P Project" which is equally as impressive...expect to hear A LOT of Herb in 2015...mark it.




17.  Sean C & LV- Loud Dreams Vol 1.- Producer driven albums are always a staple in my year end list and this one is no exception. This production duo laces a virtual who's who of  rap veterans and rookies alike with Complete BANGERS....this album is essential to any Beat Junky's collection.




16. Ghostface Killah-36 Seasons- Tony Starks continues to be the most consistent member of the Wu (Rae is starting to pick up the pace) but with that being said...MODERN day Ghost seemed uninspired by this concept album...compared to last year's "12 Reasons To Die" this album sounds like mere B-Sides...its still good enough be ranked among this year's best but its this is NOT his best work...Wu Stans..be honest with yourself.



15. Styles P- Phantom Of The Ghost- Another year brings another solid piece of work from my favorite member of The Lox....Paniro does what he does best...Unapologetically giving you the hardest bars out...In the end that's all you really want from the ghost right?



14. Common-Nobody's Smiling- This was defnitely Common's darkest album to date...While some may have appreciated the deslolate tone...I for one left this album feeling unsure...I one hand i understood he was trying to capture the the angst and despair that is festering in his hometown then on the other hand you have songs that almost seem to promote or absolve the violent crimes that are taking place.


 


13.  Big Krit-Cadillactica- My anticipation this album was through the roof!... But.It let me down a bit ...Though it wasn't the classic I was hoping for...it was better than"Live From The Underground" but it WAS NOT better than "King Remembered In Time". Here hoping that his 3rd Studio album will be the one that I'm waiting for



......See You Guys On New Years Eve For The LHRM's Top 25 OF 2014  12-1!!! Peace!!!!




Monday, December 29, 2014

#LHRM'S Honorable Mentions of 2014

  







  Welcome Back Yall!!!...Today I'm unvieling the "Honorable Mentions" of 2014...In Years past I caught some flack for this list because some felt that many many of my selections belonged on the Top 25 list and felt like those albums we snubbed on purpose...That's not the case...This list is comprised of albums that would have been  Number 25 on the original. OR albums that were good but were released after my dead line and therefore could not be ranked amongst the rest of the albums that came out during the year....so without further adieu..here's the Honorable Mentions of 2014!


1. Fabolous- The Young OG Project

2. De La Soul- Smell The DAisy

3.Jeezy- Seen It All

4. Wale-Festivus

5. 50 Cent-Animal Ambition: The Untamed Desire To Win

6. Isaiah Rashad- Cilvia Demo

7. Dave East-Black Rose

8.- Bishop Nehru & DOOM- NehruvianDOOM

9. Joell Ortiz- House Slippers

10. Kap G- Like A Mexican

11. Nicki Minaj- The Pinkprint

12. Fat Trel- Gleesh

13. Fred The Godson- Fat Boy Fresh

14. Doe B (Rip)- Definition of a Trapper 3

15. 2 Chainz- FreeBase EP

16. Slaughterhouse- House Rules

17. A$AP Ferg- Ferg Forever

18. Big Sean- Untitled EP

19. Speaker Knockerz (RIP)-Gone Too Soon

20. Project Pat- Cheez and Dope 3: Street God


.....There You Have It...The Honorable Mentions Of 2014...

Sunday, December 28, 2014

#LHRM's Presents.............THE PLAYLIST 2014.

     Hey Guys...I hope the holiday season is bringing you much joy and other things of  things of good will....But while you're playing with you new gadgets (or not) Just press play on each video and get a glimpse into what I was listening too throughout 2014...Enjoy The Playlist....


****In No Particular Order....Just imagine that your phone or ipod is on shuffle****



1. Childish Gambino Ft. Problem- Sweatpants

https://www.youtube.com/watch?v=ExVtrghW5Y4&index=26&list=PLfiB-brt_K3If7mpGP3E8_gvipTkzlW0X


2. Vince Staples- Blue Suede

https://www.youtube.com/watch?v=NJLfCBBcZAo&index=25&list=PLfiB-brt_K3If7mpGP3E8_gvipTkzlW0X


3. Styles P ft. Chris Rivers-Never Trust

https://www.youtube.com/watch?v=QXWzSNp8Gic&list=PLfiB-brt_K3If7mpGP3E8_gvipTkzlW0X&index=23



4. Logic- Under Pressure

https://www.youtube.com/watch?v=dSD-oq9krRs&list=PLfiB-brt_K3If7mpGP3E8_gvipTkzlW0X&index=22


5.  Travis Scott ft. Young Thug & Rich Homie Quan- Mamacita

https://www.youtube.com/watch?v=RH9kl6XZixo&index=21&list=PLfiB-brt_K3If7mpGP3E8_gvipTkzlW0X


6. Project Pat ft. Juicy J & Doe B (Rip) - Never Be A G

https://www.youtube.com/watch?v=m9X7NtGMYzY&list=PLfiB-brt_K3If7mpGP3E8_gvipTkzlW0X&index=19


7.  Scotty ATL ft. Iamsu! & B.O.B. - Nun But A Party

https://www.youtube.com/watch?v=dT_WSLs8lBQ&list=PLfiB-brt_K3If7mpGP3E8_gvipTkzlW0X&index=17


8. Jeezy- Holy Ghost

 https://www.youtube.com/watch?v=SJ1849qTQkM&list=PLfiB-brt_K3If7mpGP3E8_gvipTkzlW0X&index=16


9.  Curren$y- Drug Prescription

https://www.youtube.com/watch?v=XifQmA79-Fk&index=14&list=PLfiB-brt_K3If7mpGP3E8_gvipTkzlW0X


10. The Game- Bigger Than Me

https://www.youtube.com/watch?v=vFvuvxrZKok&list=PLfiB-brt_K3If7mpGP3E8_gvipTkzlW0X&index=13


11.  Freddie Gibbs & Madlib- Harold's


 https://www.youtube.com/watch?v=qZqPmUtQs2Q&index=12&list=PLfiB-brt_K3If7mpGP3E8_gvipTkzlW0X



12.  Stat Quo-Michael https://www.youtube.com/watch?v=sPDPXPGhSYY&index=11&list=PLfiB-brt_K3If7mpGP3E8_gvipTkzlW0X


13.    J. Cole- Be Free

https://www.youtube.com/watch?v=tHB_FNv2kzU&index=10&list=PLfiB-brt_K3If7mpGP3E8_gvipTkzlW0X


14.  Kendrick Lamar-" i"


https://www.youtube.com/watch?v=8aShfolR6w8&index=9&list=PLfiB-brt_K3If7mpGP3E8_gvipTkzlW0X


 15. ILOVEMAKONNEN ft. Drake- Tuesday (Remix)

https://www.youtube.com/watch?v=avFq9errZCk&list=PLfiB-brt_K3If7mpGP3E8_gvipTkzlW0X&index=8


16. A$AP Rocky ft. Juicy J- Multiply

  https://www.youtube.com/watch?v=5v6JUzxWoGw&index=7&list=PLfiB-brt_K3If7mpGP3E8_gvipTkzlW0X



17. Key!- TMZ


https://www.youtube.com/watch?v=1fFykZpheOY&index=6&list=PLfiB-brt_K3If7mpGP3E8_gvipTkzlW0X


18. Speakers Knockerz- Erica Kane


 https://www.youtube.com/watch?v=W5uX3zCyKzc&list=PLfiB-brt_K3If7mpGP3E8_gvipTkzlW0X&index=5


19.  Kevin Gates ft.  August Alsina- I Don't Get Tired


https://www.youtube.com/watch?v=_gB2iWln0ls&index=4&list=PLfiB-brt_K3If7mpGP3E8_gvipTkzlW0X


20.  Black Milk- What It's Worth


https://www.youtube.com/watch?v=SL5G-Kal7FQ&list=PLfiB-brt_K3If7mpGP3E8_gvipTkzlW0X&index=3


21. PRhyme (Royce Da 5'9 & DJ Premier)- PRhyme

https://www.youtube.com/watch?v=-lc5Kc9WTTk&index=2&list=PLfiB-brt_K3If7mpGP3E8_gvipTkzlW0X


22. Big Krit- Mt. Olympus-


 https://www.youtube.com/watch?v=3s-w-zSbTu8


23. Apollo Brown & Ras Kass- Humble Pi

https://www.youtube.com/watch?v=LllJK5DjofM


24. Kid Cudi- Too Bad I Have To Destroy You Now

 https://www.youtube.com/watch?v=LllJK5DjofM


25. Stalley ft Ty Dolla $ign-  Always Into Something

 https://www.youtube.com/watch?v=LllJK5DjofM



.........Enjoy!

Tuesday, September 23, 2014

Danny Ocean- Danny Ocean Presents....Ray-Ban Dan




     Today's current climate has many rap listeners (casual and hardcore) clamoring for music that has substance and leaves you with a feeling of eating a good meal. Much of the music that is coming out today is very much the equivalent of going to a  5 star restaurant drinking ONE glass of water eating A SINGLE appetizer PAYING for the FULL MEAL then LEAVING without even eating the Main Entree. Madness I tell you...but I digress. With that being said the projects that are worth your time and ears are few and far in between but you definitely know it when you hear it.... Enter The World OF Ray Ban Dan...
      Ray-Ban Dan is the alter-ego of the famed up and coming artist known as Danny Ocean. There is a distinct difference between the two. Danny Ocean is more or less the smoother persona and would rather kick back and converse with you about his music whereas Ray Ban is much more brash in that approach. Oft-putting by some but respected by others who understand the nuances and the distinction.
      The project opens with the all too brief  "Add It Up"....But the jewel in this opener is that even in its brevity the message is still conveyed and carried out thoughtfully. It sets the tone of the entire mixtape and it lets the listener in on who Ray-Ban Dan is what he is about.
     Add it Up jumps directly into "Ray Ban Dan" which is another take on the introduction of who he is as an separate entity from Danny Ocean. He's more uninhibited lyrically than Danny and definitely takes more risks and liberties with song structure (i.e. length..pacing..verses..flows)
     "OG Bobby Johnson Freestyle" is self explanatory. The beat is lifted from the song of the same name. If you heard the original you can see how his verse could easily fit into a Posse Cut or Regional "Where You From" remix....It works to great effect.
      "We Made It Freestyle" is another Freestyle using the "We Made It" track made oh so famous by Drake and Soulja Boy. Although Dan uses the same flow as Drake...the lyrics are delivered in a way that makes you forget about what Drake was even talking about which is extremely hard to do. When you "Jack Beats" the listener always has a conceived  notion of how the song should sound and the rapper has to go that much harder lyrically...Its a sink or swim situation and luckily Ray-Ban Dan doesn't flinch.
      "Hella Flow ft Will EZ" lifts "Hella Hoes" from A$AP Mob. This freestyle works to me because surprisingly the original song isn't as huge as I thought it would be (that's just one of my gripes). So if you never heard that song then this version will sound fresh as Ray and EZ effortlessly "flow" over the beat.
     "Who Do You Love Freestyle" lifts The "Mustard On The Beat Hoe" track of the same name. Now considering the fact that I think that Y.G. CANNOT rap..anybody else on this beat would be a vast improvement. The brilliant part about this is the fact if you actually listen to lyrics Dan is really putting his own personal spin on how you're supposed to execute on this track..you'll actually love this freestyle.
     "Common Sense" slows things down a tad and forces the listener to again  LISTEN to the lyrics not just skim through it. He has some pretty poignant things to say. The "Camera" beat has that effect on you though. It is a very interesting take on this song whereas Drake was talking about Strippers and party girls looking good only on camera...Dan's version utilizes real life...real world applications.
     "RandomThoughts" keeps with the real world aesthetic and is even more poignant than the previous track. It shows you the other side of the this "Rap Life" and how its not all glamorous like others may portray it. There are REAL people behind these bars and...Reality Rap at its finest..my favorite track thus far.
      "Crabs In The Bucket Pt. 2" takes you further into the reality rap...but on the darker side if things...Lightly touching on certain aspects of the urban jungle that many of us call home..Unfortunately you can't have the good without the bad in this life and I'm glad Dan decided not to be to "HARD" for himself and glorify the negative aspects but merely let you know this is what is going on in "Anyhood, USA"..well done.
      "Pain" has Dan evoking the spirit of TUPAC SHAKUR not 2PAC (Trust me there is BIG difference). There are so many Reality Rap quotables in this song I wont kill this review by quoting them all but I will tell you...do yourself a favor and put this on repeat and zone out all day...Thank Me Later.
     "The Rain Is Gone" is the project's last song officially and its closes things out properly. His lone verse could have easily fit into the original song..which as I listen to the project in its entirety I see that much of that was the central theme and he was merely having fun and rhyming over his favorite beats of that moment..Nothing but respect for that.

***Bonus Tracks***

"Sanctuary" is a cold ass song...in every aspect..The beat..cold...The verses...Cold...and I mean that in the best possible way... Ray Ban Dan...Cmor Millz and Staxx Getta  all get off on this track...its very reminiscent of early Dip Set in its execution and delivery... I don't even consider this a bonus track...It feels like track 7 on somebody's LP...seriously.

"Beautiful Thing" is another soul stirring track and gets to the point of reality and what this life is about. I can see why this song is not included in the the original presentation of  Ray Ban Dan. Had it been included it would have been a identity crisis of sort..This is clearly Danny Ocean on this song.
Actually that wouldn't be a bad idea "Danny Ocean VS Ray-Ban Dan"....***nudges Dan*** Think about it.

 "Off My Shit" brings things back to the Ray Ban Dan side of things...more aggressive...For those in the know (me lol) this is one of the songs that was supposed to be on the "Risky Business" project with him and Staxx Getta...if THIS was any indication of what was on the horizon...we all lost out on something crazy...I hope it sees the light of day eventually.

"Swagg Out" is the final song off of this project...The Closer closer...Its one of those dirty jersey party bangers. Dan teams with Staxx and Millz once more and you could visualize all three of them rocking on stage together getting the crowd hype..that is if the crowd wasn't so busy hating.


     In ending "Ray Ban Dan" is a traditional Mixtape most of the songs are labeled "freestyles" as to not offend the industry (its rules to this lol) and to be politically correct they are used for "Promotional Use Only". This project works because the goal was well thought out and executed precisely. The goal was to introduce Ray-Ban Dan to those who may not be familiar with the music and the literal separation of him and Danny Ocean...The alter ego as I mentioned before is a very important tool to an artist. Most times an artist's original persona doesn't allow for them to make different sounding music out of fear of alienating the core fan base. With the advent of the Alter-ego however... one could essentially be free of many of  those restrictions and be more at ease with creating a wider range of music for all to enjoy.

     
     

Thursday, August 14, 2014

#IfTheyGunnedMeDown.....The Questions.....






     In the wake of the loss of innocent life (and yes I mean innocent...there was no weapon found) I realized that I actually possess a platform to voice my frustrations...my fears....my passions...I used most of that time to write about my passions (rap, movies, humor) BUT as of right now...none of that feels important or even evokes any kind of feeling in me.  Mike Brown Jr. was a Child...you know...not yet an adult...I mean sure he reached the age of majority..but how many of you can say you were all-knowing and all growed up at the age 18?.........OK Done Waiting.....The answer is NONE OF YOU!...Why was his life so mercilessly taken?....Even if he DID steal something from a store...Who appointed Judge Dredd to St. Louis County to be the Judge, Jury, and Executioner?
      The past few days have been a lesson in perception, race, equality and human rights. Where was this kids' due process? The cop in question could have easily taken Mike Brown Jr. (A Child) back to the store in question and really got to the bottom of the incident in question. Simple Math right? Here's where perception played its fateful role in all of this....Hate to break it to many of my brothers out here but we are perceived as major threats to the "majority". I've lost count of how many times white women have clutched their purses a little tighter or white men have made sure their car doors were locked...HELL...I've lost count of how many times BLACK men and women have done the same thing. Why does our self perception mirror that of the same people that have baseless and most times illogical/pathological fears of us? I guess the same reason why there are "Bait Cars" throughout many of the inner cities in America.
      Let the media-media tell it though...and all we care about is  Love and Hip Hop and Whether or Not Future really cheated on Ciara...As if the actual video footage of Mike Brown Jr. (A Child) laying lifeless in the street with his blood streaming from his body FOR HOURS wasn't jarring enough. This could have been my little brother, cousin, older brother, neighbor..whatever it doesn't matter...he was a HUMAN BEING...it took a painfully long amount of time for ONE cop or paramedic to cover Mike Brown Jr's (A Child) body with the white sheet. but the crime scene tape went up with no hesitation. I'm not going to rant about conspiracy theories but there are certain parallels to leaving bodies out in the street like roadkill to send a message whether it be overt or subliminal.
     Where was Mike Brown Jr's (A Child) human dignity even in death? Like I stated earlier...even if he was guilty...or "resisted" arrest...you mean to tell me there was no non-lethal alternative to subduing a suspect? Rubber Bullets hurt just like real ones....There is absolutely no justification for this cop to have shot Mike Brown Jr. (A Child) 8-10 times...none... Even if he ran.. and the cop HAD to shoot...you mean to tell me that this "trained" officer of the law didn't have enough aim to shoot Mike Brown Jr (A Child) in the leg?....he wanted to "stop" this kid and for those of you not in the know Stop= Kill....that's what shooting a CHILD 8-10 times tells me.
     In ending...I fear that this tragedy and many others like this are far from over. Knowing that there is an actual "Media Blackout" taking place in 2014 (The Information Era) is beyond terrifying. The fact that there are eyewitnesses NOT being interviewed is terrifying. The fact that some black folks are really trying to say that "black on black crime happens every day"(which I am not disputing here) is sad and shameful in some respects. At the end of this the TRUTH of the matter is that Mike Brown Jr. (A CHILD) is dead and EVERYONE  is missing that point.....
    
     

Tuesday, July 22, 2014

Common-Nobody's Smiling (Album Review)

  








       It's been three years since Common left us with "The Dreamer/The Believer". While it had some songs that are very noteworthy....It left me feeling uneasy and wanting more from the legendary MC. I guess I knew the heights that he could take an album because I loved "Be" and "Finding Forever". I first caught wind of this new project "Nobody Smiling" early in 2014 and I was immediately skeptical because I feared this would be a follow-up to "Dreamer/"Believer" and would be another underwhelming effort.

"The Neighborhood"-  The Opening track on this "Call To Action" As Common stated and I must say..It was done well.  James Fauntleroy provides haunting vocals in the first 30 seconds of the track which is immediatley followed by an equally haunting vocal sample from Curtis Mayfield..The lush track provided by No I.D. provides Common and Lil Herb the musical landscape to illustrate to the listener the parrallells of each of the eras that each rapper has grown up in...What's so disheartening about that is while Common and Herb are 20+ years apart in age, The truth is that the violence that was prevalent in Common's time is the SAME kind that is happening in the present...Nothing has changed.

"No Fear"- Tells the story of " Chris" your average "hustler" that resides in the heart of the Chi. His story is much like many of the kids that are living that same life. While the song doesn't provide an answer..It does provide a stark illustration of what is going on out there...almost like an eyewitness account.

"Diamonds"-  Is an interesting song...The production is dope but the content of the song doesn't really fit to me. I'm scared that the continuity of the album has been altered already. How do you go from speaking about the harsh realities of  Chicago life on the first two tracks to shining and coming up...you know.. all the things that many of these kids kill for...many of them aspire to that life that Common and Big Sean speak of but some will never live to see it.

"Blak Majik"-  Goes even further from the original narrative of the LP and does not get interesting until Jhene Aiko slides through and literally saves the day...Im not sure whats going on now...Is it trying to paint the full picture of Chicago life with these first four songs or is there some hidden metaphor that "Blak Majik" really stands for money or a gun..Who knows...but for now im going to chalk it up as another missed opportunity to same something poignant.

"Speak My Piece"  is now the third straight song where Common proceeds to miss another opportunity to say something important. Again the production is dope but what is Common talking about?  It sounds as if Common is lazily throwing together rhymes for the sake of rhyming...no real passion here..and the hook is a god-awful use of B.I.G's vocals...If you want to stop all the gun violence in the inner city...why would the hook proceed to "Drill" into these kids heads to "Pack a Piece"...That's like making a song speaking against house fires titled "Im An Arson".

"Hustle Harder"- Brings things back into perspective a tad... It speaks to the women and young girls of the hood. It tells the story of the women that are out there as well and trying to make it happen for themselves and  whether it be good or bad..they are doing what they have to do just to survive. Dreezy steals the show because she gives proceeds to spit fire over the track gives you an actual account of what's going on. Good job Dreezy.

"Nobody's Smiling"- The titular track brings things back into full focus...Common proceeds to tell you whats really going on there. Its like he's on the front lines and letting the world know about the violence and despair that is plaguing the city. This needs to be the next single and video..where he walks through the hoods just like he did in the "Sweet" video. Malik Yusef shows up and he really is the Chicago version of Big Rube...and like Big Rube he is very much needed...he gives you the poignant spoken word that resonates with your being..great addition.

"Real" is the sleeper banger of the album. Common gets personal and gives us a glimpse into his upbringing and actually FLOWS all over this track...the beat and hook is so smooth and captures the essence of Com's verses...Im gonna nit pick a little here and say...this song would have been golden if Nas made an appearance...hopefully ill get a remix down the line.

"Kingdom"- The album's lead single and my favorite track thus far. It is what got me intitally excited about the project in the first place. By now many of you have seen the video and Hype Williams captured the song perfectly...There isnt much more to say about this song other than I wish he had two more songs like this to replace "Diamonds" and "Blak Majik"....Vince Staples showcases his lyrically dexterity and again steals the show..another bright star in the making and needs to be listened too..I have a good feeling about him.

"Rewind That"- Closes out the album proper with something that beautiful in concept , structure and execution. It serves as and ode to his friends and ledgendary producers No. I.D. and J Dilla. Each verse details the depth of each relationship and shows Common at his most humble and reflective. I think it really brings the album home on a somber but triumphant note.


     If you purchased or downloaded the "Deluxe" version of the album there are three additional songs for your listening pleasure.


"Out On Bond" teams Common up with Vince Staples once more and it immediatley erases the bad taste that that Diamonds left in my mouth...Both MC's don't waste time getting to the point and both gives top notch performances....People please listen to Vince Staples...all of his mixtapes are on Datpiff and LiveMixtapes...I think he's once of those ones....meaning he's next

"7 Deadly Sins"- Is flat out dope...Its like a harder edge version of "Ten Crack Commandments" and it also erases the other bad taste song known as "Speak My Piece"....This song holds up a mirror to the listener and provides a lyrical soundtrack to said sins...Crazy song...its should have been on the regular LP...it needs to be heard.

"Young Hearts Run Free"- The album's official closer...Another song that could have replaced "Blak Majik". The production is phenominal and the songs desparately needs another treatment from Hype Williams...when you hear it you'll understand what I'm talking about.


     In ending...this is an album of two halves.. The first half is slightly disjointed and it seems as if Common and company were trying to figure out what direction they wanted to go in with the project. I think thats why Diamonds, Speak My Piece and Blak and Majik are present. By the time the second half rolls around...The project sounds more effortless and focused. Like I mentioned before...The three bonus tracks need to be swtiched with the three aforementioned songs and this album would have been a classic hands down. I tried hard to hate on Common because of the last album but to me "Nobody's Smiling" corrects the wrongs that were "Universal Mind Control" and "The Dreamer/The Believer"...Now lets see how many people will gravitate toward his latest effort.

-LeebHatesRapMusic

Lyrics-8/10  Production- 10/10  Content 8/10    Overall  8.5/10






Tuesday, June 3, 2014

50 Cent-Animal Ambition: An Untamed Desire To Win (Album Review)




     50 Cent...a polarizing figure in today's Hip-Hop climate...either you love him or you absolutely hate how he has "Massacred" the musical landscape...pun definitely intended. In a piece of revisionist history..when 50 dropped like an atom bomb a little over a decade ago the entire world was in his clutches. Back in 2002/3 I personally witnessed "Backpack" rappers from the neighborhood become gat-toting A-BB-A Bar gangsta rappers. The influence was undeniable and you couldn't help but fall in line with the movement. Fast forward to 2014 and things seem to be on a 360 trajectory meaning that many of the styles we literally grew up on are back like they never left.
     "Hold On" serves as the albums opener which is actually a great tactical move from the G-Unit General..looking at the track listing you notice something peculiar...No Intro...Skits...Interludes...Just 11 (14 if you have the deluxe version) tracks of straight music which means to me at least that he's all about business this go around..Judge him on the overall music and nothing more. Dope opener.
     "Don't Worry Bout It" is deceptively catchy...you may think that you won't like it due to the tried and true subject matter and repetitive production but trust me..50 is a master of cadences and flows and proceeds to to demolish the beat...Yo Gotti comes through for the assist...(I see what you did there 50) This song works at any party, strip club or shake joint throughout the country..trust me.
     "Animal Ambition" the titular track is literally bananas. If "Hold On" is vintage street 50...Then this song is vintage club 50...The production is literally animal..If you listen you can hear the grunts and growls of wild jungle beasts like Lions, Elephants, Tigers...oh my.
       "Pilot" is another superbly produced banger...The opening bridge and muted bass licks leads into a lush and airy track that 50 just slides and slinks over. By my latest guesstimating..50 is firing on all cylinders and hasn't had a filler track yet.
       "Smoke" is yet another banger...you have to admit. The layers to this hook are nothing less than astounding. The right hook can be the difference between a hit and flop...50 knows this and that's why the 2nd Hook is even more layered than the first..Trey Songz fits perfectly and even though this may be viewed as a "throwaway" Dr. Dre track...how many of you could do something with this beat...don't worry...I'll wait.
       "Everytime I Come Around" is the first album cut of the project in my opinion. The pulsating beat provides a instant head nod factor. Again there isn't any new ground being broken here a s far as subject matter but that isn't the reason why you're listening to this album...Its all about how its makes you feel. Kidd Kidd impressed me though..I was ready to hate and even scoffed at the fact that he was on 3 of the albums songs..that's damn near a third of the album. But I must say Kidd Kidd held his own alongside Fif and dare I say might have even stole the show flow wise on this song..Dope Song.
      "Irregular Heartbeat" is this project's strongest record. 50 departs from his normal vocal tone and reduces it to a damn near whisper...its matches the beat perfectly. It was great to hear Jadakiss alongside 50...I got the same feeling when I heard Nas and Jay finally link up. Kidd Kidd returns again to round out the features on this song and fared extremely well...My bad 50 you obviously heard something that the rest of didn't. To put him on a track with Jadakiss could have been a train wreck..but it was calculated risk that worked out better than many could have imagined.
     "Hustler" is another smooth track in the same vein as "P.I.M.P." and "Get In My Car". These are the kind of songs where 50 shines the most. Speaking from a pure winner's circle perspective 50 gives you the kind of song can do nothing more than inspire you to get on your grind for whatever you want out of this life.
     "Twisted" would have to be the album's first filler song however. The hook is pretty banal and doesn't do much to add to the 50's content and the beat is just a tad bit too hard for the subject matter. t serves its purpose though...I sure it will be a nice number for the 30+ crowd out there that is at one of their after hour spots.
     "Winner Circle" is the 2nd filler song on the project but its better than the previous song as far as execution. Its another "nice" number but doesn't do much to stretch the boundaries of what this song could have been. It gave me that "Its lonely at the top" feel...A feeling that many of us commoners wont get too...yet
     "Chase The Paper" brings the listener out of the doldrums and gets you nodding again..The vintage G-Unit beat (circa 04/05) still sounds fresh and relevant. Kidd Kidd shows up again and again does not disappoint..he doesn't sound outmatched or out of place.. I'm still impressed. Prodigy and Styles P round out the rest of the features on the song. Both give solid performances but nothing extraordinary.
      If you purchased the "Retail" version of the album then "Chase The Paper" would have been your last stop. But since there is a Deluxe Version of the LP...there are three bonus tracks for you to digest and enjoy.
      By now many of you would have or should have heard "The Funeral" so there is no need to explain the song any further..I will say that considering theme and feel of this album "The Funeral" fits perfectly into this set and is very welcomed addition to the LP. More Vintage 50.
     "You Know" sounds like a "Beg For Mercy" track and would have been dope to hear Yayo, Banks, and Buck on this..As of  today though...A "G-Unit" song has indeed surfaced and the rap world is a much better place for it.
     "Flip On You" is a GREAT album closer...50 and SchoolBoy Q  just sound damn good together...Q's style is West Coast 50 and sounds like a young version of him ( Think the young and old Professor X meeting at the same place) that's the feeling I got. The beat is a soulful sample and string laden banger and makes you thirst for more Q and 50 collaborations...they sound THAT great together.
     Like I said earlier...50 Cent is a polarizing figure in today's Hip-Hop climate. Either you love him or you hate him. This album while not a flat out smash like his first two LP's it is definitely a true return to form for the legend. An album that is sequenced perfectly between street anthems, album cuts, and club bangers in a traditional sense of course. We all know that TRAP sound is running the clubs and streets nowadays and I was happy 50 opted to not try and fit in with whats now but instead compete with what HIS sound is and thus introducing himself to a younger generation of listeners that is starving to hear other forms of this beloved Hip-Hop than what is being forced upon us on the radio...Stay True 50...your sound is still a winner even a decade plus later.

@LeebHatesRapMusic

Lyrics- 7.5/10   Content- 7.5/10   Production- 9/10  Overall- 8/10

Saturday, July 6, 2013

Jay-Z-Magna Carta...Holy Grail





     Hate him or love him....Jay-Z has been our generations greatest rapper period. Many of us (myself included) often scoffed at the notion that Jigga was a better lyricist then say a Nas or Eminem and got into heated debates AND arguments whenever his name was mentioned amongst the greats (2Pac...Notorious B.I.G.).  Even after the Jordan-Esque "retirement" and that flop of an album "Kingdom Come"...Jay still seemed as if he wasn't phased at all and STILL dropped American Gangster which was seen as a return to form in many circles around the world. "Blueprint 3" and "Watch The Throne" were both met with commercial and critical acclaim and yet many of us were still refusing to accept that Jay-Z was indeed great.
     During Game 5 of the NBA Finals "The Samsung Commercial" was witnessed and  I instantly knew that Magna Carta Holy Grail was going to be epic. Even if the album failed....the marketing alone would have merited a round of applause. Hell Busta Rhymes pulled the SAME move with "Year Of The Dragon" but that album was hopelessly and comically bad. Void of all expectations now, when the Samsung release date grew near I decided that I would not buy into the machine and just wait for the music..in the end that all I really cared about.
     "Holy Grail" opens with cathedral like magnificence as Justin Timberlake actually SINGS for once and to great effect I might add. The lone key and guitar riffs prove eerie as it gives the feeling of impending dread. The samples start to get louder and like a shot out of a cannon, Jay-Z erupts onto  the track with a vigor not heard since "The Black Album".  His relentless lyrical assault on this track serves as a warning to all the haters and doubters that he still "Flows like he's 22"
        Any rap music lover worth their salt knows that the second song is just as if not more important than the first track because it is sometimes indicative of how the rest of the album will sound and feel. "Picasso Baby"  answers that question with supreme authority. Timbaland and Adrian Young provide a stellar soundscape for Hov to slink and swank his way through. This is vintage Jay right here....we're all in for a treat. "Tom Ford" is another "opulent rap"  track. double and triple entendres all over this joint and Timbaland gives him one of those Year 2789 plastic cup and pencil beats that he is so famously known for...By my latest estimation Holy Grail is 3 for 3.
       "FuckWithMeYouKnowIGotIt" teams Jay with the most braggadocios rappers of our generation Rick Ross. The two trade off those "Aspire too" verses and it will either make you cringe at its sleeziness or make you put in your bottom rose gold teeth and turn up somewhere..A guilty pleasure song for sure.
"Oceans" featuring Frank Ocean (Pun Intended) has Jay reflect the dichotomy of Wealth and Slavery and how his success makes the higher-ups uneasy...I love it..its almost like a middle finger to those guys.
       "F.U.T.W." (Fuck Up The World) is another middle finger song that is disguised in a street banger. I honestly have never heard Timbaland produce something like this. This is something that "New Slaves" attempted to touch on but failed miserably. Six songs in and I'm completely immersed in this album and willing to go wherever it takes me. "Somewhere In America" pokes fun at high society  because while you guys are sitting somewhere with your noses in the air..your precious daughters are somewhere twerking and trying to revel in hip-hop culture.
          "Crown" is the halfway point and is showing no signs of slowing down..Even though it is a sound that is familiar in today's Hip-Hop...it doesn't sound contrived and forces the youngsters to realize that this is how this type of rap music is SUPPOSED to sound. "Heaven" rewinds the the hip-hop clock to the early/mid-90's and should please all those retro kids out there...Its so grimy and gutter in its approach that I'm surprised that I don't hear a tape hiss in the background. Expect  Joey BadA$$ and his Pro-Era bretheren to hop on this instrumental sometime soon.
          "Verses" and "Beach Is Better" are 1:01 combined...that's shameful considering the fact that they are both equally crazy and I wish that we weren't teased like this because they are so dope. You know things are real when I actually listen to Beyonce on anything... so the fact that I'm bumping "Part II (On The Run)" lets you know that this song is a winner. Ill prolly hate it later on because it BOO-loving at its finest but for now...Ill let it ride.
           "BBC" teams Timbaland AND Pharrell AND Swizz....on a production all-star game...Nas and Jay trade verses and you can tell that both are in a such a positive place...that the music seems effortless...Watch The Throne 2 should be Jay and Nas and Kanye and Timbaland...I'm just saying.
"Jay-Z Blue" shows Jay in his most vulnerable and introspective. Rappers like Nas and Em are well versed in this lane...but for Jay...its a welcome departure from his usual subject matter.
           "La Familia" and "Nickels and Dimes" close out this Magnum Opus of a album known as Magna Carter Holy Grail. The last two songs are identical to the first two songs meaning that they serve a major purpose. They allow the listener to have a finality with the album and be able to digest what they have just heard.
             In the end, the hype surrounding Magna Carta was greatly deserved. Sixteen tracks of pure Hip-Hop and its not because of who the artist is. This could have been a Mase album...but if it was executed with such precision like this then I would be saying the same thing. The ONLY problem I have is not even with the album...its with some that are in the rap community. Many of you scream about originality...lyrics...beats...and when you get it in one cohesive project you still complain. This album is proof that RAP is a driving force for our culture and generation. Who cares that the man is 43...many of you are half his age and still cant rap with such things as simple as breath control. A lot of you need to realize that when we are HIS age that we'll be able to tell our children we witnessed greatness in many forms AND that it may not ever be witnessed ever again.












 

Monday, July 1, 2013

Party Boyz 609-Respect Iz Earned 2

 


     Lou-Kang...Mayhem....and J20 are back once again with their 3rd mixtape "Respect Iz Earned 2". Their last outing "Respect Iz Earned" was my introduction to the trio and off the rip I heard the cohesion and understood what their sound was and what they were trying to achieve. I was a bit miffed by the lack of original beats the first time around...although that was my only complaint, when I was presented with the sequel, I was anxious to hear if they decided to stick to a certain formula (Industry) or if they became more comfortable with their own sound (Original).
     "Nosey" answers that question with thumping, pulsating authority courtesy of IZ-RA-EL. The menacing beat provides the perfect backdrop for the crew to take the haters, groupies and jack boys to task. This song serves a dual purpose, first to reacquaint previous listeners and second to serve as a introduction to the new-comers...excellent opener guys. 
      "The Gang" ft. Try-One keeps the same tempo and doesn't detract from the first track. The song really allows the trio to open up more and you can really hear they are more comfortable with their respective voices and as a collective they are like well greased machine. "Still At The Bottom" uses Drake's "Started From The Bottom" instrumental, normally I would skip a song like this but I can't even be mad at it. The actually make they the song their own and in the end that's all the listener can really ask for.
      "Go Get It" ft.  Papi Storz and Iz-Ra-El returns the crew back to the original production (awesome). Every one here shows up and trades verses seamlessly on the 2013 version of the boom-bap. "Top In Tha Whip" is self-explanatory... meaning that if you have Baby-ears, I wouldn't recommend this song to you as it gets pretty raunchy at times. Then again Baby-eared people shouldn't be listening to rap any way but I digress.
      "Boyz N The Hood"  is another industry track but I must admit I have always loved The Easy-E version so this version comes at a pleasant surprise. And again the Boyz surprise me with their ability to take a song and turn it into a entirely new(original) song...Kudos. "Tip Her" is another song not for the Baby-Ears. To me it seems like "Raunchy Ratchet" is the Party Boy lane and I absolutely have no problem with that. This song screams "BET UNCUT" and trust me this song would fit in perfectly with that line-up. Mayhem did his name justice with his opening verse. He went absolutely H*A*M and gave the Lou and J2O the proper energy to keep the song riding.
     "Really Really" has to be played loud...no exceptions....the beat is chopped something serious and puts them into their pocket...You Like up-tempo?...Party Boyz is who you would want to hear. I'm gonna go on record and say that "We Came To Party" has to be my FAVORITE  IZ-RA-EL track that I've heard thus far. The menacing track really allows the Boyz to get OPEN. Everything works on this song..The Hook....Ad-libs...Doubles...Accents...everything. I'm gonna personally request that this be their next single.
    "R.I.E 2"  goes to the Bay-Area (San-Fran..Oakland What Up Tho!)  Don't worry West Coasters...This song is genuine in its approach and does not set to make-fun of the Hyphy sound in any way...Mac Dre, E-40- And Too-Short would all be proud. "Turn Up" borrows G-Unit's "I Like The Way She Do It". The funny part is that it actually sounds like a original song...the beat fits the group's sound and style perfectly as if Iz-Ra-El or Jay-Gee produced it. You'll understand what I mean when you hear "Track Manipulation". If  Respect Iz Earned 2 taught me anything...Is that they were able to clearly carve out THEIR sound and separate themselves from the pack.
     "Beat It Remix" closes out the mixtape and to me anyway sounds as if this could lead into what the future may hold for Party Boyz. The songs sounds like the listener just walked into the studio and overheard what Lou-Kang was working on. Is it a possible solo effort? or will they all have solo songs on the next project so they can showcase each of their voices to the fans? Either way its something to look foward to.
      In the end this mixtape is a win for the trio and all that was involved with the making of this project. Everything sound updated and will be sure to gain some new ears as well as keep those in the know satisfied. There was a even mix of original songs and industry jack moves, but they were sequenced properly so every thing flows ever so nicely. My only problem with the mixtape is the title. It actually kinda pissed me off a little...It should not be known simply as Respect Iz Earned 2...It should be Respect Iz Earned 2.0 because this project was definitley an Upgrade...Well done guys...You've Earned It.


Wale-The Gifted






     Since 2008 (2007 if you're a staunch purist) Wale has been trying to gain national exposure, become The DMV's greatest export AND be number 1 on EVERYONE'S Top 5 list. Considering the current climate of today's Rap...one would have to know that many of us suffer from "Attention Deficit" in some form so it be would be really hard for some of us to recognize his "Ambition". Even after he gave himself with "Folarin".... Would the entire Hip-Hop community be able to accept "The Gifted"?
       The Gifted opens up with the serviceable "The Curse Of The Gifted". Here he proceeds to lament on the price of fame and how his gift will help propel him and his people above it all. After I was done yawning...I was able to hear the musicality behind it and I was pleased with the lush sounds.  I went to the liner notes and I noticed that Stokley Williams was heavily involved. For the uninformed..Stokley Williams is the lead singer and percussionist of the sorely underrated and understated band Mint Condition (Youngins please look them up, they're dope trust me). Any who, realizing that he was involved in some capacity made me optimistic if for nothing else..the Production(Live Instrumentation) would be stellar.
     "Sunshine" continues the Stokley collaboration to great effect....I would have been totally satisfied with just that beat, hook and the rising crescendo ad libs from Williams himself. Wale does his best to make the song his own but I personally just wish he wasn't on it. "Heaven's Afternoon" gives me the same feeling...Meek Mill surprisingly steals the show with his guest verse and with Williams' background riffs, bridges, and beat...completely drowns out Wale...again. A quarter through the album and I've already conceded the fact that this is a Stokley Williams and Friends experimental side project.
      "Golden Salvation"  never really goes anywhere. The whole Jesus(Religious) dichotomy concept is being sorely overused right now. Let me be clear...EVERYONE is entitled to his/her belief and his totally allowed to express it in their music, BUT you don't have make it sound so forced and contrived. "Vanity" is the direct opposite of the the first 5 songs. Whereas those songs sounded organic and lively, this song its lifeless and hollow and industrial in scope, but I supposed that was the whole point considering the title.
     It seems that Wale realizes that misstep and immediately enlist Cee-Lo and Williams once again to tell us that we're all "Gullible"....Cool song..but it would have been an AWESOME Cee-Lo/Stokley/Dap Kings collabo. "Bricks" is another song that could have gone somewhere but fails to do so...A deliberate attempt at radio and 106 and Park. To make matters worse "Clappers" is an EVEN MORE deliberate 106 and Park and the club. I doubt the target audience will notice the interpolation of the song being that it was "DA BUTT" get it?...Do The Right Thing...Spike Lee...DC..GO-GO...nevermind.
     The next grouping of songs are the Mmmmmmmaybach Music portion of the set. Take it with a grain of salt people, Wale is signed to Rozay, did you really think he would have ANY input on the record or at the very least show up on a record or two? Ne-Yo has a forgettable cameo on "Tired of Dreaming" and sadly that is the highlight of the song Tisk...Tisk....Tisk. At the risk of sounding repetitive, both Ne-Yo and Ross outshine Wale and he sounds like he's featured on his own song.
          Wale closes out the album with Stokley Williams and Seinfeld on "Black Heroes" and the "Outro About Nothing" respectively. I think Jerry Seinfeld sums up the album perfectly. He goes on to blast Wale about what album this is. Saying things like "I thought We Were Doing The Album today" "Who is in charge of  this?" "Ok I guess I'll come back when you're ready". Couldn't have said it better myself  Jerry.
       In the end this is not The Album About Nothing...this is the tale of 3 albums in one. The first 5 songs are great material from Stokley and Friends...The next 5 are the Maybach Sessions, and the last 5 are used to round out the rest of the project to make it somewhat respectable. For the die hard Wale fans out there, this album will satisfy you immensely. The casual listener will love the singles. As for me...I take the first five tracks and combine them with the Folarin mixtape(minus Bad) and that will be my Wale experience for the rest of 2013.